It hardly seems possible but here we are again in Cheltenham for the fist big festival of 2009. It really does only seem like a couple of months ago that we here last!
On thursday night the BBC Big band with Guy Barker and his band did a great and at times moving tribute to Billy Strayhorn and his time with Duke Ellington. Madeleine Bell and Ian Shaw were brilliant on vocals and so was newcomer Emma Smith. Guy and the big band were terrific, Alan Barnes playing a couple of sublime solos.
Friday night saw the festival get under way in great style starting with a double bill at the Everyman. First up was Pat Martino, whom we saw in Umbria last year and if anything his set here was even better. Tony Monoco on Hammond was terrific.
The second half of the show featured sax player Julian Arguelles and band featuring guitarist John Abercrombie - this was the first concert for the two of them and it made for some great interplay between the two. Tom Rainey on drums, as ever was as tight and on the button throughout the set.
The Jazz on 3 show is now a firm favourite at Cheltenham and Jez and the team had a great line up for the audience, and so it was a little dissapointing bearing in mind these tickets are free that the place was barely half full.
First up on the show was Will Vinson, an alto player that I have not seen before, playing alongside guitarist Kurt Rosenwinkel. Very nice it was too, not pushing the boundaries exactly but tight, inventive and to the point.
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The next slot was an absolute gem - now it's not often that you will hear me say, 'solo bagpipes', but in the hands of Paul Dunmall it was spellbinding and unmissable. Paul is a terrific improviser and free player (just catch his solo on 'Lazy Blinker' on the Dave Stapleton Quintet album 'When Life Was In Black & White) but this 10 minute performance was quite sublime - The show is broadcast on Radio 3 on Monday night if you want to hear it for yourself.
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The penultimate band were the Convergence Quartet, agaim whom I haven't seen before, but they were mightily impressive mixing totally free improv with some lovely written pieces.
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Last on but none the less right on the button, were Get the Blessing, mixing treated sax and trumpet with electric bass and guitar the sound is almost perfect. Catchy tunes and thumping beats make them a great live band - well worth the attention they are getting.